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SA Ahad
Aug 03, 2022
In Welcome to the Forum
Sunrise" shocked the art world, and "Impressionism" became a genre with far-reaching influence in the history of Western art. The most important style of Impressionism is the relationship between "light" and "color". Impressionism specifically studies the effect of light on color and expresses it specifically. Through outdoor sketching, the artist is able to grasp the different color expressions produced on the same object by different light and shadow at different times. Most of the themes are based on natural scenery, and there are also depictions of urban figures or the lives of ordinary people. At the same time, although they have their own popular database strengths and weaknesses in the style of painting, they leave unmodified and obvious brushstrokes, which is a common feature. Paul. Cezanne, Pont de Muncy, circa 1879 Paul. Cezanne, Pont du Mancy, circa 1879, oil on canvas In this "Mancy Bridge", the dark bridge body and the bright piers form a contrast of volume and tone, reflecting the deep and pure colors in the reflection of the water surface of a green forest. Cezanne's landscape paintings are contemplative. He slowly deduces the shape of things, and uses clear but childish brushstrokes to define the structure and local details of things. He uses limited colors such as red, yellow, blue, green and Black and white, representing sky, land, rocks, trees and water. Claude. Monet, The Snowscape of Viteuil, 1878-1879 Claude. Monet, "Snowscape of Viteuil", 1878-1879, oil on canvas "Snowscape of Wetheui" is stacked with heavy paint. The snowy scene of Wetheui in the severe winter of 1878, dark architectural silhouettes, and lonely church spires. Symbolism and Eclecticism Symbolism and Eclecticism_o In the late 19th century, Impressionism spawned a school of Symbolism. The Symbolists believe that the essence of art is "putting on a sensibility for reason". In addition to depicting figurative appearances, painting should also convey thoughts and emotions. Therefore, in the subject matter, more symbolic elements began to appear, and less attention was paid to the figurative reality.
In the mid-to-late 19th century, inspired by naturalist artists content media
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SA Ahad

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